Nick Finzer captures the uneasy mood of a turbulent time on his third album, Hear & Now. Though the title – which the album shares with the gifted and expressive sextet that Finzer has led since his debut release in 2013 – suggests an alertness to the present time and place, Finzer’s music also evokes a need and hope for change, a defiant optimism that pits love against the forces of oppression.
Hear & Now, due out February 17 on Outside in Music, arrives at a moment of deep uncertainty and divisiveness in the country and around the world. The album’s nine tracks (eight originals along with a Duke Ellington classic) depict a range of viable reactions, from the intense energy of protest to a more meditative, reflective mood. Finzer’s compositions are brought to vigorous, full-bodied life by Hear & Now, a sextet with the power and wide-ranging palette of a big band but the supple energy of a small ensemble. It’s the trombonist’s third outing with the band, which includes tenor saxophonist/bass clarinetist Lucas Pino, guitarist Alex Wintz, pianist Glenn Zaleski, bassist Dave Baron, and drummer Jimmy Macbride.
“[Finzer’s] compositions are like stained-glass windows: lovely on the surface, but more impressive for how they imbue what’s behind them with color…”
— Brian Zimmerman, DownBeat Magazine
“I wanted to capture feelings I was having about our country’s social framework,” Finzer says. “I started out trying to write about the emotional feeling of living in New York in 2016, but as the presidential election went on I realized that the stances I was taking were more politically oriented. Throughout the process of making the record I saw that this project was becoming more and more relevant to our reality.”
Finzer doesn’t name names or point fingers; nothing on Hear & Now takes a side or aligns with one party against another. It is instead a plea for a more united populace, a sonic argument for equality, tolerance and empathy. The album begins with “We The People,” a reminder that togetherness is embodied in the country’s founding documents. “I wasn’t thinking of a particular person or a particular side,” Finzer says. “I was trying to capture the intense energy of a large group of people trying to express their opinions and how important that is. When you get together with a lot of people and coalesce to fight against something, it creates this strong, base human emotion, so I was trying to capture that energy with the music.”
The brooding, introspective “The Silent One” follows. The piece was inspired by Finzer’s frustrations over a tendency to resort to heated emotions rather than logic and subtlety in reacting to issues and problems. The music deftly illustrates the feelings of frustration and isolation one can feel in the face of the mounting volume of TV pundits and internet trolls. Directly related is “Again and Again,” whose cyclical rhythms depict the history that we’re doomed to repeat. And repeat.
“Nick Finzer [is] a new voice to the pantheon of upcoming trombone greats in the making…”
— Wycliffe Gordon
The frenetic, harried pace of “Race to the Bottom,” Finzer explains, is a reaction to “the inevitable conclusion of cutthroat capitalism. You either need to be the cheapest or the best because people don’t really pay attention to the middle. So you’re either in a race to the bottom or you’re trying to create something meaningful. To me it’s about the value of creating something unique and special because there’s no way you’re going to win that other battle.”
The mood of the album begins to rise with “New Beginnings,” with its feelings of dawning hope and tenuous optimism. “Lullaby for an Old Friend,” written for a friend of Finzer’s who passed away, laces its melancholy with the bittersweet good cheer that time and distance allows, mingling happy memories with the inevitable sense of loss. The up-tempo “Dance of Persistence” is a swinging call to action, but also offers a relief from tension. “That one is about not giving up,” he explains, “but also goes back to the thing that I love most, the thing that got me into playing jazz… when I need something to settle me I just want to play something swinging; it just makes me feel better.”
The album closes with the tender “Love Wins,” which Finzer wrote on the day that the Supreme Court ruled in favor of marriage equality. More broadly it’s a strong tenet of belief that ultimately the forces of love will overcome ignorance, oppression and prejudice.
The album’s one non-original is Duke Ellington’s “Single Petal of a Rose,” which Finzer arranged for three trombones and two bass clarinets. He chose the piece for its sense of hushed and intimate joy, but also to pay homage to one of his key influences. “Duke Ellington was the first artist that I started checking out when I began listening to and learning to play jazz,” he says. “I loved the way his compositional style could embrace a theme, particular stories or ideas or characters. I also always thought it was really interesting how Ellington could use the big band and get so many interesting
sounds out of it.”
Finzer takes a similar approach to his own sextet, for this recording working closely with producer Ryan Truesdell, leader of the renowned Gil Evans Project and Producer for Maria Schneider – giving him some profound insights into inventive arranging. “Asking Ryan to co-produce the album ended up being probably the best decision in the process of making my records,” Finzer says. “He was able to bring out extra nuances and had a great ear for making sure that we didn’t miss the chance to create a magical musical moment.”
A native of Rochester, New York, Finzer studied at the Eastman School of Music and Juilliard, where he was mentored by trombone legend Steve Turre. In 2011 he won the Eastern Trombone Workshop’s National Jazz Trombone Competition and won an ASCAP Young Jazz Composer’s Award in 2013 & 2015. He’s released two previous albums with his Hear & Now sextet: Exposition (2013) and The Chase (2015). Aside from his own projects he’s performed with the YouTube sensation, Scott Bradlee’s Postmodern Jukebox, as well as Wynton Marsalis’ Jazz at Lincoln Center Orchestra, Lucas Pino’s No Net Nonet, Ryan Truesdell’s Gil Evans Project, and Anat Cohen’s new Tentet.
Join us at BLU Jazz+ as this sensational trombonist makes his Rubber City debut with an all-star ensemble and an all-new album, get your tickets today! (The masterclass program has been made possible through a grant from Conn-Selmer, Inc. Taylor Band and Orchestra is the participating Conn-Selmer dealer.)
Nick Finzer is one of the most dynamic musicians of the millennial generation. An award-winning composer, arranger, and trombonist, Finzer is bringing the joy and power of Jazz to both traditional fans and the most modern 21st century audiences. He’s on a mission to be a passionate voice defining the sound of Jazz in this age while also bringing street cred to the trombone with a bold, tight sound.
Born into the musical world (Mom Sherry Finzer is an international flutist), Finzer developed a fascination for the music of Duke Ellington and found himself, in high school, performing at the annual Essentially Ellington competition of Jazz at Lincoln Center. It was then that he decided to pursue a life in music himself. His budding talent was recognized by Wycliffe Gordon who began a life-long mentorship by writing four pieces for the young Finzer while he attended the Eastman School of Music. Nick went on to get his masters at Juilliard’s prestigious Jazz program where he was mentored by the trombone legend Steve Turre.
In 2011 Nick was the winner of the Eastern Trombone Workshop’s National Jazz Trombone Competition and was a finalist in the 2010 International Trombone Association’s Carl Fontana Jazz Trombone Competition.
In January of 2013 Nick released his recording debut as a bandleader and composer with “Exposition” (Outside In Music). Two tracks appearing on the album garnered Finzer a pair of accolades: The prestigious American Society of Composers and Performers (ASCAP)’s Herb Alpert Award for young composers (2013 & 2015)
In 2014, Nick composed a new album-length work, “The Chase.” Nick’s sophomore album debuted in July of 2015 on Origin Records to rave reviews, a feature article in Downbeat Magazine, and peaked at #6 on the JazzWeek Charts.
Famed trombonist and mentor Wycliffe Gordon called Finzer “a new voice [in] the pantheon of upcoming trombone greats in the making” and added “Nick’s CD is a glowing example of things to come.”
When away from NYC, Finzer can be found touring the globe not only with his own projects, but as part of YouTube sensation, Scott Bradlee’s Postmodern Jukebox. Finzer has joined the group on television, in viral videos with millions of views, and on tours across North America, Australia, New Zealand and Europe.
Finzer has performed at top Jazz clubs and concert halls with Wynton Marsalis’ Jazz at Lincoln Center Orchestra, Lucas Pino’s No Net Nonet, Ryan Truesdell’s Gil Evans Project, Bob Stewart’s Double Quartet, Frank Wess, Terrell Stafford, Lewis Nash, the Tommy Dorsey Orchestra, Walt Weiskopf, Slide Hampton, Frank Kimbrough, Carl Allen, Steve Turre and many more.
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